Porn Valley- You can probably debate the significance of the title In the Pink now until doomsday. On the one hand, the Defiance/Torrid site, www.defiancefilms.com states that Taylor Rain, who directs the feature, has an affinity for pink and dressed all the girls in that color, accordingly.

But that doesn’t explain the non-pink fashion lapses- if you’re alert to such trivialities. A more plausible suggestion for In the Pink is the most obvious, that the scenes are non-anal. A fact which would ordinarily come as a disappointment to a performer like Alex Sanders to whom the whiff of a woman’s ass is like oxygen pumped in a Vegas casino to a blackjack junkie. But Sanders appears to bear up well and delivers along with Roxy Jezel a stunning showcase of man-woman give & take. The way Alex goes about it you’d think he was actually getting some butt; and the way Roxy, looking sultry and sexy, responds to his advances, you’d think she was getting ten thousand bucks. The scene is wild and aggressive, and there’s some tricky camera angling composing the blow job Roxy’s giving Sanders. And, as only Alex can do it, he spins Roxy 180 degrees effortlessly on his cock from the reverse cowgirl to the cowgirl.

Brett Rockman, who gets the show jumping with Estelle, used to be built like a production assistant until he discovered a gymnasium. And as an added attraction, the scene’s dramatically lit as though you’d be expecting Brett to bust out in some IFBB-sanctioned poses any second. Which isn’t the case because Brett’s busy turning Estelle’s ass cheeks another color. And two positions sell their union in a big way- the one where Estelle’s on her knees, and the other where Brett employs the wishbone offense and has Estelle’s legs spread wide apart while he’s screwing her with that lumbering and quite distinctive cock.

An outdoor threeway puts Kelly Taylor between John West and Saz-One. As professional dick reaming goes, the guys do all that they’re supposed to do when a d.p. isn’t involved, but I was trying to determine if Taylor looked better before or after the nose job. Then in a scene that could have been the inspiration for Grant Wood’s American Gothic, Sascha wields the pitchfork and Nadia Hilton stares into the lights either like a dear or a Christian soccer mom- which is basically to say you won’t find either of them too enormously vested in the tempo of this performance. Hilton manages moaning sounds without moving her mouth, however. And that’s pretty impressive.

In the finale, Nick Manning attempts a Russian accent and some improvisation to discover that he’s really good when it comes to fucking two random girls on a tennis court pretending to be an instructor. Saana’s the blond; Sativa Rose is the redhead and Nick’s the one looking in the mirror. Just kidding. Nick’s best moments are when he’s humping Sativa over the tennis net, though.