Porn Valley- Hollywood would need Peter Jackson and a $207 million budget to recreate Kelly Wells. But all you had to do to see the real thing was be on the set of Mitch Spinelli's Ass to Heels for his company Acid Rain. Wells did a scene Tuesday that featured double anal and double vag- it was the kind of stuff that makes fans go ape shit.
Annie Cruz, who will be working later in the day with Sascha, is in the makeup chair. Cruz is getting into this interesting story about how she was on a Metro shoot one time and some "short guy" from Wildlife was there, whipping out his dick, telling her, "I'm ready for you." Cruz says he wasn't talent, and she was about to get into some colorful detail when Wells, making it pretty obvious, leans over to say something to her. Cruz clams up.
Before her own scene gets underway with Marco and Benjamin Bratt, Wells, who had her drama last year on a Belladonna set that resulted in having her jaw wired, is shooting a masturbation sequence on a bed. The room's got a chill and Wells says it reminds her of a cadaver factory. Which prompts a story about some guy Wells knows in Vegas who works at a mortuary, catching a woman fucking a corpse.
"That's indignant to dead people," says Wells who popped her cherry on Halloween, 2001. A week later, Wells was pretty much up for all kinds of action, almost disdainful of the courting dance some guys would employ to get into her skivvies.
"I didn't want a relationship in high school," remembers Wells. "I wanted to fuck." And Wells said as much to one guy who had a crush on her for two-years then was crying because she went to a party with his friend. Wells said she went because the friend was pretty blunt with his intentions.
"Some guys automatically assume that all girls are prudes," says Wells who displays absolutely none of the virtues that would describe a Pilgrim. As well as being sodomized herself, Wells says she enjoys watching other girls having their asses wrecked. At the AEE show, Wells was getting questions from her fans whether she watches her own movies.
"I don't have time to watch my movies," she laughs. Wells is telling another story about how she was looking at some footage in Vegas and thought it was pretty hot, not realizing she was the girl in frame. Wells only saw herself from the neck down and had no idea it was her until the camera panned up.
Mitch Spinelli's asking cameraman Robby Fischer his opinion about shooting Wells' scene on the same bed.
"It's your set, your movie, your show," Fischer tells Spinelli. "But beds in my opinion are not conducive to shooting any of the sex positions. Beds suck. I hate them." Meanwhile, Wells tells Bratt he's got one "great-assed cock." Wells also wonders whether Marco's dark complexioned or tans to get that way. Whichever, Marco and Bratt are soon rattling Wells' teeth with their dicks. And Wells, sounding like she's channeling a brace of ducks, manages to get come cock-chuck on Fischer's lens which stops things for a second. An improvisator's dream, Wells' porn patter is a compendium of anal behests and nasty tithings.
As she bends over, Wells tells Bratt, "Abuse that ass at your own fuckin' leisure." Bratt has to crack up on several occasions with some of the wack-ass things coming out of Wells. Her tits doing the reverse cowgirl dance, Wells also yells out, "That's a well-traveled ass. That ass has no fuckin' limits. Double-fuck my whore-ass." And Wells proves what she says over the next 28 minutes. Fischer's pretty amazed that she sustains this pace that long without a break. Not to mention Bratt and Marco who function as machines with Bratt doing the cramming once Marco's wedged his own dick in Wells' ass. Wells is pretty philosophical about doing double-anal.
"You do it 20 times a year, you must like it," she comments. Fischer's telling Spinelli about how this scene pretty much has the soup to nuts of it.
Bratt's smiling with Fischer's kudos on how he particularly executed the side cheat and takes the double-A trot around the bases.
You got to like a man with an erection taking pride in his work.
